Mxr distortion dating vintage

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I spent several hours deciding which I found useful and thought others might profit from the information.This is a totally subjective evaluation, and I’m sure my opinions wouldn’t be of value to a metal player or others of that ilk.The idea for this article came about when I purchased a box of effects pedals from the owner of a music store which had closed in the late seventies.Most were new old stock Electro-Harmonix with a few other brands mixed in.The Wah-Wah Pedal The preceding having been established, it is only fitting that part one of my article deals with the Wah Wah.In the early seventies my primary effects were a Cry Baby Wah, a MXR Distortion Plus, and a MXR Phase 90 (both script logo models).I am going to cover as much ground as possible, and it is for that reason this article will be two or more parts.

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Pushing Distortion up higher produces classic fuzz tones that are finding their way onto an increasing number of albums.Interesting to note here, my Phase 90 stopped working during a recording session at The Record Plant in Sausalito.I sent a roadie out to buy me a new one, which turned out to be a block logo model.I go into detail here as this amp was my tone base for all testing.Another point I want to mention here is many acts I’ve heard and admired over the years were playing in large venues, football stadiums, large auditoriums, etc., allowing the guitar players to overdrive their amps with no worry about blowing the audience through the back wall.

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